At the start of a school year, teachers experience a rush of excitement. We also experience an avalanche of work that wasn’t there just a few days ago. Schedules, standards, paperwork, student names, grading, lesson plans, paperwork, classroom setup, and paperwork drown out anything else going on in our lives. It is a joy and I am thrilled to be in education. I am also grateful for my short break from writing because it has given me a chance to look back on some really terrible common myths I found in most “how to” writing books.
Myths about Perspective and Point of View
Myth: Limit your point of view characters to three but never have only one. Too many characters confuse the reader and having only one will lack depth.
My Truth: Use however many perspectives it will take to tell your story. Kevin Anderson’s Saga of the Seven Suns and George R. R. Martin’s Game of Thrones have a dozen POV characters. Jeff Lindsay wrote five Dexter novels from within his main character’s mind. Side Note: You should always keep a single perspective within a scene or you WILL confuse a reader.
Myths about Grammar
Myth: You should always write using correct grammar.
My Truth: Learn correct grammar and punctuation. This way, when you need to write dialogue, dialect, or artful prose, you know what rules you are breaking. Failing to learn doesn’t make your writing quirky or unique. It makes you seem illiterate.
Myths about Exposition
Myth: Avoid exposition in the form of information dumps.
My Truth: Exposition is important. Information dumps, like the opening paragraphs in a Star Wars movie, rarely work well. If you find yourself explaining too much, you probably missed an opportunity to hint at your topic earlier in the story. Go back and plant seeds in the first few chapters if you want a garden in the final scene.
Myths about Sequence
Myth: Always write in a logical progression of thought and avoid flashbacks.
My Truth: Tell this to the writers of the Highlander or Once Upon a Time TV series. I know that television is a different medium, but good writing is good writing. Whatever structure best fits your story is the one that you should use.
BOOKS WORTH READING
In the end, there are only a few good books on how to write well. Stephen King’s On Writing is the most useful. Another worthy mention is: Nail Your Novel: Why Writers Abandon Books and How You Can Draft, Fix and Finish with Confidence, by Roz Morris. This is a great book for structure and manuscript resuscitation.